From the very beginning, Kevin’s goal was to create one universal game system that would include every conceivable idea and genre. Something that would be epic in scope and fun to play. Consequently, his Megaversal game system was carefully designed so that anybody who learned one of Palladium’s games could pick up and play any of them. This also meant the different characters, skills, powers and monsters from one game world or genre could be crossed, mixed and matched with any of the other world settings to allow infinite possibilities limited only by the imagination.

The Palladium Fantasy RPG® put Palladium on the map and would become the company’s first sustained game line. This was another one of those early projects written and predominantly illustrated by Kevin simply because he couldn’t afford to hire outside artists. He also laid out the early books, marketed them, called distributors, boxed and shipped the books mostly by himself. We suspect tales of those early days when Kevin had to “do it all” (or much of the work) out of necessity, has led to the lingering rumors that he is a control freak, unwilling to delegate responsibility, though nothing could be farther from the truth.

The next success for Palladium Books was Heroes Unlimited™ (1984), a superhero RPG that focused as much on character and brains as super abilities and brawn. However, Palladium hit most people’s radar in 1985 with the release of the Teenage Mutant Ninja Turtles® & Other Strangeness Role-Playing Game (TMNT RPG). The idea for the TMNT based RPG to focus on a wide range of mutant animals was Kevin’s idea, but it was Erick Wujcik who designed and wrote the final product. The game featured a cover by Eastman & Laird, plus an original Ninja Turtles comic strip that appeared in the game for the first time. Perhaps needless to say, the Ninja Turtles® RPG was a smash success – what Kevin calls a “mega-hit.” That success was followed a year later when Kevin published the Robotech® RPG. It was another success, selling more than 20,000 copies in its first year of release. Both games sold more 150,000 copies of the basic core rules alone, and on top of that, 10,000-15,000 copies of each of their sourcebooks shipped on day one!

Other original games followed these two licensed properties, including evergreen titles Ninjas & Superspies™ (1988) by Erick Wujcik, Beyond the Supernatural™ (1988) by Kevin Siembieda and Randy McCall, and Nightbane® (1995) by C.J. Carella, among others. Most have been continuously in print for 20+ years and are still available today (updated, of course).

However, Rifts®, released in August 1990, would eclipse everything that had ever come before it. Kevin Siembieda had spent three and a half years developing and writing the concepts, characters and world of Rifts®. Working closely with artist Kevin Long, the goal was to create a multi-genre game that was unlike anything ever seen before. The hope was that it would be another success along the lines of Ninja Turtles® and Robotech®. That meant selling out the initial print run within three months. The RPG exploded onto the scene, its initial print run of 10,000 copies selling out in three weeks! 45,000 copies sold within the first year. Since then, the Rifts® core rule book has sold close to 300,000 copies and the game has been played by an estimated 1.5+ million gamers. Advertisements in comic books and gaming magazines have made the brand name known by millions more.

The Rifts® RPG encompasses every genre – science fiction, fantasy, horror, superheroes, action adventure, and post-apocalyptic survival – all in a plausible and thrilling setting that offers the players unique characters and truly limitless possibilities. One of Kevin’s goals was to make the planet Earth more alien and exotic than any one alien planet. Another goal was to create a game environment where players could play any type of character imaginable, from a Rogue Scholar or Vagabond to a power armored hero, cyborg or young dragon.

Rifts® Ultimate Edition RPG was released in August, 2005 and is the current incarnation of this epic role-playing setting. The book was unveiled as a new hardcover edition of the core rule book, completely rewritten, updated and improved.

In 2002, Palladium Books signed an option with Walt Disney Pictures to have Jerry Bruckheimer Films develop a Rifts® live action motion picture in the tradition of Star Wars. Over the last decade, that option has been renewed several times while JB Films looks for just the right screenplay to launch the Rifts® role-playing game franchise into film. As with any option, there is no guarantee a movie will ever be made, but it has been fun for millions of gamers to imagine Rifts® brought to the big screen.

Hollywood has had its eyes on Palladium Books for some time, as the company has been approached by a handful of other film companies interested in Rifts®, Nightbane® and Beyond the Supernatural™. So far, only Rifts® has been optioned.

A handful of companies have flirted with Palladium about making Rifts® and Heroes Unlimited™ videogames and/or MMORPGs, but so far, none have gotten off the ground.

Palladium would love to see its intellectual properties expand into film, television, videogames, online games, board games, toys, apps, and other markets. The trick is finding the right licensing partner willing to commit to taking the many rich worlds of Palladium into new markets.

In the meanwhile, Palladium Books has some big plans of its own. The company is making an effort to release more pen and paper role-playing games and sourcebooks, to support all its major game lines from Rifts® and Robotech® to Palladium Fantasy®, Nightbane® and Heroes Unlimited™, as well as others. Palladium also plans to take advantage of new technologies and is looking to delve into other market areas itself. To that end, the company is currently working on launching 3-4 comic book titles in 2012. All mediums are being considered for the comic books – print, digital downloads and webcomics. And this is only the beginning of our plans for the future.

1981 – The beginning

From the very beginning, game designer, writer and artist Kevin Siembieda envisioned what has come to be known as Palladium’s Megaversal Game System. A set of flexible rules that could be played in any game setting. Once a player learned those rules from any of the game settings he might have started with, he or she could play any Palladium RPG. Each game provided the core rule base, while the flexibility of the rules allowed for modification and additions depending on the specific setting and needs of the characters. This was deliberate, as Kevin saw a rigid set of rules as stagnant and confining. Creating a common rules foundation modified to fit the specifics of a particular setting meant infinite possibilities and a much broader range of stories that could be told. Kevin always liked giving gamers options and the ability to play anything and do anything their hearts desired. This is perhaps most obvious in Rifts® and the vastness of the Palladium Megaverse®.

The Megaversal game system was not readily apparent as Kevin had to start slow and small, but it was always the guiding plan behind everything. Kevin often says that starting small was a benefit, as it forced him to learn every aspect of the role-playing game industry. Building the company from the ground up meant learning every job. In those early days, one big failure could destroy Palladium Books, so he had to research and plan with care, squeeze every penny out of every dollar, and be inventive. Even from the beginning, quality product, superior customer service and listening to his audience were of utmost importance. Necessity always being the mother of invention, it helped him to think outside the box, turn to new technology of the time (like soft-cover books), and develop a business plan that was radically different, and ultimately more successful, than many of his competitors. Thirty years later, Palladium Books is one of the two or three companies to stay true to its roots in role-playing games and make it three decades under the guidance of its original founder.

1988 – Robotech® on VHS tape

The first release was Robotech® II: The Sentinels® followed by Robotech® New Generation in 1990 and by Robotech® Southern Cross in 1991; all of which were being released uncut on videotape for the very first time in North America. Kevin knew fans were hungry for Robotech® on VHS, so when the opportunity manifested, he seized it. This was a new venture for Palladium at a time when anime was just beginning to enter into the North American market, making Palladium Books and the success of its Robotech® releases on videotape part of the pioneering effort that brought anime recognition to America.

2002 –Rifts® movie option

Palladium signs an option with Walt Disney Pictures for the development or Rifts® as a live action movie by Jerry Bruckheimer Films. At present the option remains in place. Only time and a little luck will decide if the movie becomes a reality. A number of Hollywood film companies have expressed interest in Palladium I.P.s (intellectual properties), so we feel good about future prospects.

2003 – Nokia licenses Rifts®

The Rifts® property is licensed for development as a mobile game for their N-Gage platform. The license results in a wonderful mobile videogame that was ahead of its time and offered 70 hours of play. Regrettably, Nokia’s N-Gage platform never found its market in North America, so the N-Gage and the Rifts® Promise of Power® game never took off the way it was imagined.

2006 – Crisis of Treachery

After two and a half decades of thrilling gamers with one dynamic game setting after another, Palladium Books suffered a betrayal that almost put the company out of business. This painful chapter came at the hands of a long-time employee who had been engaged in acts of embezzlement, theft and sabotage that left the company devastated. The revelation was just as crushing on an emotional level, because the perpetrator was a close friend of Kevin Siembieda. He was like a member of the family, present for every holiday, birthday and special occasion, as well as a stalwart employee of 14 years who was liked and trusted by everyone at Palladium. He was one of those people whose trustworthiness was considered beyond reproach. There had been no conflict or falling out, nor hint of a problem that might have led to such treachery. The perpetrator had systematically embezzled money, stolen and sold books by the case load, pillaged collectibles, cooked the books, and engaged in other acts that undermined the company. Estimates of losses were in excess of 1.2 million dollars over a two year period. Palladium is a small, close-knit company that is more like a family than a corporation, so the betrayal hit hard on both an emotional and business level. Things looked grim to say the least.

There seemed to be no hope of recovering the stolen funds or property, and the perpetrator appeared to be destitute; nothing of great value was found at his home by the police. Palladium accepted a small amount of restitution in State Court, paid for by the family of the accused. To take further legal action would have cost Palladium money it didn’t have, so on the advice of its attorney, the shell shocked staff turned its focus to keeping the company going.

Then, something amazing happened. A nightmare turned into a miracle when Palladium fans came to the rescue. After exploring all possible options available, Kevin decided to turn to Palladium’s fans for help. It was not an easy decision going public with the embezzlement and theft, but it turned out to be a good one. Kevin had mulled the idea around for a while, but decided to make the unprecedented move when a close friend made the observation that Palladium fans would feel let down and hurt if they were not given the chance to help. Over the years, Palladium had built not just a loyal customer base, but a close-knit community of fans and friends. When the word went out that Palladium was in trouble, everyone rushed to help, purchasing special prints and Palladium products across the board. Just as important as the flood of purchases was the outpouring of love and support as thousands began to post testimonials and words of support online. “It was the most incredible thing I have ever experienced,” said Kevin Siembieda. “It was a miracle. I cried.”

The miraculous fan outpouring helped keep Palladium from closing its doors and soothed the emotional trauma with words of love and appreciation. But there was still much work to be done. The damage to the company was severe, and other losses and challenges yet to come would test everyone at the company. With the help of friends, fans and freelancers, and a lot of hard work, the Palladium staff managed to keep the company moving forward.

2006-2010 – The slow recovery

 Some wondered if Palladium could ever truly recover from a wound as severe as the Crisis of Treachery. Indeed, the fallout of the treachery was still felt, yet the creative minds at Palladium refused to give up. Optimism ran high even as the Palladium team faced other challenges, including the collapse of the global economy, changing markets and technologies, the loss of dear friend and collaborator Erick Wujcik, the loss of other close friends and family members and, in October, 2010, the unexpected loss of Henry Siembieda, Kevin’s beloved father and a friend to everyone at Palladium Books.

Through it all, the company and the people behind it have survived against all odds. Palladium now seems poised on the brink of a renaissance that will be the beginning of a new era of ideas and unchecked imagination.

2011 is Palladium Books’ 30 Year Anniversary

After thirty years of triumph and challenges, the company is preparing to resume its place among the leading role-playing game companies. The future seems full of promise.

“There is a palpable energy at Palladium Books these days,” says publisher Kevin Siembieda. “A sense that we can do anything we put our minds to, and it feels awesome. I think fans are going to love what we have in store for them!”

Over the years, Palladium Books® has been proven to be a pioneer in game design/storytelling and the use of new technologies in the role-playing market.

Palladium was the first to launch one universal game system starting with The Mechanoid Invasion® in 1981 and followed by The Palladium Fantasy RPG® (1983) and Heroes Unlimited™ (1984). This fact is missed by some people because Palladium Books started out so small and had to slowly build and release its game settings slowly. Nor did we advertise the fact as a marketing angle at first, again, largely because Palladium had a minuscule ad budget and Kevin was learning everything from publishing to marketing as he went along.

World building. Palladium was one of the first game companies to create RPGs with unique and original settings rather than the norm of doing “generic” ones. This started, again, with The Mechanoid Invasion® in 1981 and followed by The Palladium Fantasy RPG® (1983). This approach became abundantly obvious with Teenage Mutant Ninja Turtles® (1985), After the Bomb® (1985), Robotech® (1986), Rifts® (1990) and many other titles. It’s funny, because today, unique world settings is the norm, but back in the 1980s this was the exception. In fact, Palladium had distributors and friends warn against such an unprecedented move right up through the release of Rifts®.

Softbound books. One of Kevin Siembieda’s proudest innovations is one that changed the way the RPG industry packaged product: the softcover book. Palladium was the first to introduce the perfect bound, trade paperback format to the RPG industry. It started with The Palladium Fantasy Role-Playing Game® (1983), but was something Kevin wanted to do from the very start in 1981.

Again, this might seem like an obvious decision today, but in 1983 it was a radical departure from the “boxed game” and “hardcover” book format that was the industry standard. In fact, the idea was so radical that a number of industry people pleaded with Kevin to give up the “crazy idea.” Case in point, Joe Budrick at Windmill Hobbies. Joe was a great guy and a caring (if cantankerous) distributor, so he begged Kevin not to publish the game as a "perfect bound trade paperback." Any departure from the norm, Joe feared, would kill the game and do irreparable damage to Palladium Books. "You have a nice little game company just starting to go places," said Joe, “this will destroy you. Don’t do it.” Kevin greatly appreciated his concern, but the Fantasy game was what he had waited years to publish and in the softbound format.

The game and the format were a success. To his credit, the same distributor called Kevin to congratulate him on a fine product and orders more copies of the RPG. Joe was so impressed, he actually insisted that some of his retail clients take the game on speculation at "his" own risk; something that was rarely done by the RPG "direct market" distributors then or today. God rest his soul, that was the kind of man Joe Budrick was, and he is sorely missed. With rare exception, all of Palladium's books from that year forward have been published as perfect bound, softcover books, even the 48 page titles. To insure that the pages didn't fall out, Kevin took the extra step, time and expense of having the pages sewn and glued, making the books much more durable. The product was slick, colorful, and practical. It also enabled Palladium to hold down printing costs and pass the savings on to the customers. Furthermore, a book (instead of a box) enabled the consumer to look inside and see exactly what he is getting. A winning combination for everybody!

Surprisingly, it took a few years (1985 or 1986) before other role-playing game companies began to use the trade paperback format (we believe Mechwarrior, by FASA was the first). By 1988 it had become an industry standard. Palladium didn't invent the trade paperback, but Palladium's awareness of the (then) new technology gave the company an edge, and in the end transformed the look of the entire RPG industry. We hope to do the same with the new technologies and online mediums of today.

Mixing genres. The art of mixing different genres started for Kevin Siembieda back at the Detroit Gaming Center when people insisted you couldn’t combine magic and technology. Kevin thought that was ridiculous and went about proving the point in his fabled Defilers campaign, which combined the two quite well with amazing results. It would be a theme repeated in the games he’d design and publish at Palladium. Of course, the ultimate mixed genre role-playing game is Rifts®.

Rifts® not only blends magic and technology in a plausible and masterful way, but combines the genres of fantasy, science fiction, horror, post-apocalyptic survival, superheroes, war, mystery and adventure. The setting is epic. The possibilities are endless. Anything is possible. The tenor and emphasis of the adventures you might want to play are left entirely to you and your Game Master. The wealth of World Books, Dimension Books and sourcebooks means gamers can start anywhere, with whatever setting and style of adventure they find most interesting to them. Once they get going, their adventures can remain localized to one or a few areas, or span the infinite Megaverse®.

Dynamic artwork. This was another no-brainer for Kevin. As an artist himself, he wanted to see the quality of RPG art raised to a higher standard. By 1989, Palladium Books and TSR (the D&D publisher) had, arguably, the best art in the business. Palladium also paid some of the best rates, second only to TSR, a company 10 times its size. This led more than one competitor to complain to him about it. One fellow even compared Kevin to George Steinbrenner, owner of the New York Yankees major league baseball team famous for spending more than anyone else on his players, lamenting that Kevin’s practices of paying artists well and using high caliber art were hurting the industry.